Showing posts with label brown. Show all posts
Showing posts with label brown. Show all posts

Wednesday, 23 October 2013

Clothing Labels: Maximalism and Floral

 
Falmer Heritage
Label @ Matalan
 

Lovely floral motifs which I find are rare on clothing label tags. Really pretty in red with the dark green swirls, all finished off with the grunge effect, giving the label an aged appearance.
Matalan's quality and price are an amazing combination, more often or not their clothing items are made from better cloth (and better stitched), with prices that are almost akin to Primark.
 
 
Denim Co.
Label @ Primark
 
Details on this one are simple, Greece like in motif and the colour is modern and indeed the very image of Primark with its ever colourful items of clothing, items that can be used as layers, leggings, bags and hats and so forth. A thin grey ribbon adds a neat finishing touch on top of the thin semi sheer fabric.
Primark's key to success is maximum sales at lower prices and importantly reacting to the fashion world and its trends of the moment.

Monday, 12 August 2013

Archived Snip: Independant Radar, grunge and sequins

Scans from an old Independent Radar magazine from a Saturday Independent
- dunno the date but I can say with a bit of certainty that is it from this year.  
The above costume is really fascinating just because of the abundance of blue glittering sequins.
They catch the light really well, making the costume look more and more intricate and
expensive or couture like.
Then there is the mask made from a kind of net that is also lined with sequins.
The face made highlights the unconventional use of sequins over the facial features.     
 In the above and below images, the singer is dressed in different textures, including feathered,
which beside the grungy and splattered background makes everything look raw and edgy.   

Thursday, 2 February 2012

Fabric Selection

A few photos I found weeks ago that I never posted but really should have. 
Below is a border design like piece on
a dress styled kameez (tunic top), which is a detail I love.
The whole suit puts purple alongside orange,
and then the touches of brown on the embellished
areas help when it comes to looking for matching jewelry and shoes. 
Just brilliant, two colours rarely worn in my opinion that are brought together.
The trim uses pink, white and brown shiny rayon like threads,
looking into damask like designs that
surround the flower shapes.
Lotus like blooms horizontally lined up.
The light plays with the shiny thread;
creating areas of shade, of light and dark.

The embellishments to the above neck area of a top are quite interesting,
using thick black thread to create this beautiful leaf motif
and these splodge like flowers drops,
alongside swirls with sequins dotted around the shapes.
Leaves venation in gold thread – lush!

Wednesday, 30 November 2011

Boxes and weave together again

These interesting structures, squares
that align themselves into walls of squares
really stand out for me.
The buttons, plain and simple react
perfectly with the colour palette chosen.
The greys, subtle browns and navy blues alongside greys,
so dark they could be mistaken for blacks,
come together alongside whites and creams
to create great contrast that mimics a stone wall like structure,
where stones are not always one colour, and one may be
the one that stands out the most.
I imagine Sean Scully would love this sort of stuff.
It is another Next coat – well who knew?
I didn’t, but clearly all these coats came from the same or similar years, bearing in mind the designs of this and the previous posted one are clearly related, like brothers or sorts.
Again a great display of simple shapes melded
with an intricate pattern of weave using skeins of thread.

Monday, 28 November 2011

Better on the inside with weaves

Starting out the first of the cold months coats week with this coat
found in a charity shop,
which has an interesting inside lining,
made up of both plain fabric
and this brilliant hessian like weave.
Its so tactile and interesting,
again begging the question of weave itself in a piece of clothing, bringing to light its importance,
its initial skeleton and character building of the fabric and item of clothing.
Something personally interesting me at the moment in my own work.
The edges of the coat reveal this beautiful weave very quietly,
with it almost edging forward,
falling
onto the front like some dribbling
                                                                                water running down
the inside part of a table leg.
An overall look of the coat,
to me the outside was quite plain and dull and lacked any detailing on the front except for the beautiful creeping weave.
The colour was a dull grey, possibly because of its age,
so I hope perhaps it was better grey when new.
Though maybe it could be carefully dyed?
Though I imagine a nice bit of embroidery in select places could it bring it back to life.
Buttons lets the coat down too, I'm not a fashionista,
but to me buttons are like the part of a coats soul.
So to conclude, in essay like style,
the inside was more interesting than the outside.
Doesn't sound right, does it?  

Monday, 14 November 2011

Brush Pattern Feature: Wings for all

Well not really. 
They are simple wing brushes to be used in
Adobe Photoshop or in the Gimp,
or indeed any other image software that has an ability to convert images into a brush file.
Really maybe it should be called a stamp file instead. 
Photobucket
Anyway these brushes were created by sammigurl61190 @ DeviantArt.
Sadly she seems inactive at the moment, but her profile is still there,
as are other brush packs she has made. 
Click the link to view it or 

Photobucket
The brushes can make interesting motifs
when repeatedly piled on top of each other.
Photobucket
The brushes are well capable in forming flowers too,
very pretty flowers might I add
and as the brushes are in grey-scale
you simply select the colour you want and paint.
(For users of Gimp the brush-set in .gbr)

Saturday, 29 October 2011

Spots - and not Spot the dog, though he is adorable.

They kind of remind me of giraffe like polygons, but here they are more more round, and more graphic too - if you see the black stripy parts that almost cling onto the peachy brown areas.

Saturday, 8 October 2011

Furniture - to be dumped

I know what your thinking...
no, I didn't put it outside university to be skipped,
that was someone else and no doubt for good reasons.
First obvious one was that the cupboard was lacking a door.  
That little doodled motif looks pretty,
commonplace and medieval like,
but it looks good where it is.

Thursday, 15 September 2011

Brown and pink and all things pretty

Cut offs from an old kurta
(basicly a tunic top with a mandarin collar).
The deep pink colour can't really be seen here for one of 2 reasons:
1) my camera isn't as good as eyes at picking up colour
2) an incompetent photographer.
Take your pick. :D
The detail on the neckline area spills out onto the chest area.
The use of beads and pretty gold disks and
the chain like stich embroidery speaks for itself.
A closeup of these cicle disks shows they ae detailed with lines,
so far I haven't found any other fabric adorned this way.
The golden brown beads imbedded
amonst the very fine chain stich
Chain stich how to

Sunday, 31 July 2011

Flowers in brown on black

Its amazing how well these dull colours work within the flower shapes, creating a sense of life without so much as a single addition of something bright and bold.
The print itself make a good use of small shapes that build up to create natural organic motifs.

Saturday, 2 July 2011

Shiny blocks


A commonly found surface found on all sorts of things.
It has a beautiful variance of red and pinkish shades,
consequently along with its shiny surface is hard to photograph.