Showing posts with label graphics. Show all posts
Showing posts with label graphics. Show all posts

Thursday, 1 September 2016

Sketching text pointers

In charcoal is so much fun! Then even more fun with pen, no really, it is. 
Except for the O, S, G, Q, it's working out. 
I need to work on drawing up those letters though, 
that and proportion. 
Dig out squared paper and enlargement technique maybe.

 Also must work on stuff in the mornings, night light is not so good. 

Pointers for drawing/sketching text: 
Look at each letter individually.
Note shapes of each line.
Look at negative and positive space.
Note round shapes. How round is round? Slightly angled in places? 
Look at serif/sans serif where edges of text are, are they rounded, or blunt edges?
Look at proportion, is it accurate?
Spacing one letter and then the next, spaces between consistent with font spacing, which often is not the same as leaving a gap of a few millimeters between each letter.
Use pen or pencil as measuring device.
Be quick with sketches first.
Lightly sketch top and bottom and mid section guidelines (wish I'd done this above).

Monday, 30 May 2016

Found: flyers, folklore and colour drops

Check out these vibrant colour palettes. 
Love the Slug and Lettuce's beautiful print 
for the Christmas period. 
Beautiful little twinkle lights.

Sunday, 16 October 2011

Victorian Design and Ornament - and I didn't have to do any research to find that out

I feel like I should have referenced this book Harvard style.
Any way here is what I got from Amazon:
Meyer's Ornament - Victorian Bible of Design by Frank Sales Meyer
In the library bookshelf above,
and got some pretty graphic golden lines below.
The 'O' in Ornament on the spine is known as illuminated text.
One of the earliest texts found with illuminated text is The Book of Hours.
A quick Google search of this will give you a wealth of words and images. 
Blogger likes to rotate images no matter which camera I use,
I'm going to get to the bottom of this though.
The image in the corner here uses typical Victorian ornamental imagery.
The vine like lines that seem to have an attitude of movement about them, 
almost like a clock face with the interruption of the 
golden blocks that seem to divide the circular motif into pieces.